Traditional Sri Lankan musical instruments

Hakgediya -  හක්ගෙඩිය

 Hakgediya are shells and shells. A very natural natural tool. The main function of the device for the performer is to play by blowing through the opening of the sea shell, announcing the opening of the ceremonies of greatness.

Daula - දවුල

Much shorter than the yak bera described above, the dawula is a favourite in Buddhist

ceremonies.Usually crafted with kithul timber and cattle skin, the dawula is decorated with exquisite art and brass strips. At one end the player hits the drum with their hand, and at the other end they hit it with a stick called a ‘kaduppu’.To learn to play this drum students must complete twelve elementary exercises (this is also the case for the yak bera).To adhere to a strict time-sequence, the Dawula is often accompanied by the sound of a Thammattama, which is crafted from the root of a tree and also played with kadyppus.  

Thammattama -තම්මැට්ටම 

 Two colliding drums. The drummer strikes the drum on two surfaces with sticks, unlike other traditional drums for Sri Lanka.

 It is a satellite drum with the above-mentioned Dawula. 

 Gataberaya and Yakberaya - ගැටබෙරය සහ යක් බෙරය 

The Gata bera and the Yak bera are two of Sri Lanka’s most important musical instruments, and are both played with the hands. The gata bera, also known as the wedding drum, is usually about two feet in length. The trunk of the drum is made from asala,
kohomba or kos timber, while different skins are used for the two membranes at either end, which are then bound with deer skin strings. Cow skin is tied to one end of the drum, which makes a different sound when hit with the hand from the monkey skin tied to the other. The yak bera, also a two-ended drum, is made from the timber from the kithul tree and is about three feet in length. The part that’s hit is made from the stomach lining of a cow. It’s regularly used for low country dances involving masks and rituals.

Rabana -රබාන 

The raban is a one-sided drum played by hand, which comes in two varieties – the hand raban and the bench raban.(අත් රබන් සහ බංකු රබන්

  ) Both are made from goat hide and jackfruit or vitex wood.  The hand raban functions as a visual as well as a musical tool, as the one-foot wide, flat, intricately decorated drum is revolved on the tip of performers’ fingers, or even spun in the air on special sticks. This raban is played with one hand, although talented players will use individual fingers to add variety to the beat.

 In contrast, the bench raban is played with both hands by two or more people, often women, at once. The four-foot drum is placed on the floor, and friends and family sit around the drum during festival season, sharing in hitting out the rhythms.

 Thalam pata - තාලම් පට

Small though they are, the thalampata play a crucial role in Sri Lankan dance. These small cymbals, joined together with a string, beat out complex rhythms in traditional Kandyan dance. The thalampata typically makes two sounds – ‘thith’ and ‘thei’, which chime to the shake of a dancer’s body. 

Horanawa -  හොරණෑව

Otherwise known as the ‘temple clarinet’, the horanawa is a beautiful little contraption. It’s actually more like an oboe than a clarinet, with a tiny mouthpiece that touches the tip of the teeth.The instrument is traditionally made with the horn of a cow and brass. Underneath the brass mouthpiece there are seven tone holes interspersed regularly down the length of the horn, which flares out in brass at the end.

Bummadiya -  බුම්මැඩිය

The Bummadiya is a small drum which resembles a water vessel or a clay pot. Its origins are similar as it’s made by clay, which is fired in a kiln. The body of the drum is then decorated in multi-colored motifs, and played during paddy harvesting celebrations. The membrane is interestingly either made from goat, monitor lizard or monkey hide.